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In the 8th century, an epigram attributed to the Venerable Bede celebrated the symbolic significance of the statue in a prophecy that is variously quoted: However, at the time that the Pseudo-Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.
The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year the name "Colosseum" had been coined to refer to the amphitheatre.
The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma. The name further evolved to Coliseum during the Middle Ages.
The site chosen was a flat area on the floor of a low valley between the Caelian , Esquiline and Palatine Hills , through which a canalised stream ran.
By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain.
He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavilions, gardens and porticoes.
The existing Aqua Claudia aqueduct was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.
Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre.
Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both symbolically and precisely at the heart of Rome.
The slaves undertook manual labor such as working in the quarries at Tivoli where the travertine was quarried, along with lifting and transporting the quarried stones 20 miles from Tivoli to Rome.
The Colosseum was constructed with several different materials: The top level was finished by his son, Titus , in 80,  and the inaugural games were held in AD 80 or Commemorative coinage was issued celebrating the inauguration.
He also added a gallery to the top of the Colosseum to increase its seating capacity. It was not fully repaired until about and underwent further repairs in or and again in Gladiatorial fights are last mentioned around An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III reigned — , possibly to repair damage caused by a major earthquake in ; more work followed in  and The arena continued to be used for contests well into the 6th century.
Animal hunts continued until at least , when Anicius Maximus celebrated his consulship with some venationes , criticised by King Theodoric the Great for their high cost.
The Colosseum underwent several radical changes of use. By the late 6th century a small chapel had been built into the structure of the amphitheater, though this apparently did not confer any particular religious significance on the building as a whole.
The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century.
Around the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle. Severe damage was inflicted on the Colosseum by the great earthquake in , causing the outer south side, lying on a less stable alluvial terrain, to collapse.
Much of the tumbled stone was reused to build palaces, churches, hospitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the midth century  and continued to inhabit it until as late as the early 19th century.
During the 16th and 17th century, Church officials sought a productive role for the Colosseum. He forbade the use of the Colosseum as a quarry and consecrated the building to the Passion of Christ and installed Stations of the Cross , declaring it sanctified by the blood of the Christian martyrs who perished there see Significance in Christianity.
Later popes initiated various stabilization and restoration projects, removing the extensive vegetation which had overgrown the structure and threatened to damage it further.
The arena substructure was partly excavated in — and and was fully exposed under Benito Mussolini in the s.
In recent years the Colosseum has become a symbol of the international campaign against capital punishment, which was abolished in Italy in Several anti—death penalty demonstrations took place in front of the Colosseum in Most recently, the Colosseum was illuminated in gold in November following the abolishment of capital punishment in the American state of Connecticut in April Because of the ruined state of the interior, it is impractical to use the Colosseum to host large events; only a few hundred spectators can be accommodated in temporary seating.
However, much larger concerts have been held just outside, using the Colosseum as a backdrop. Unlike earlier Greek theatres that were built into hillsides, the Colosseum is an entirely free-standing structure.
It derives its basic exterior and interior architecture from that of two Roman theatres back to back. The outer wall is estimated to have required over , cubic metres 3,, cubic feet of travertine stone which were set without mortar; they were held together by tons of iron clamps.
The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall.
The remainder of the present-day exterior of the Colosseum is in fact the original interior wall. The arcades are framed by half-columns of the Doric , Ionic , and Corinthian orders, while the attic is decorated with Corinthian pilasters.
Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning , known as the velarium , that kept the sun and rain off spectators.
This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium , were used to work the velarium.
Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.
The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite.
All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive.
Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria singular vomitorium , passageways that opened into a tier of seats from below or behind.
These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes.
The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit. According to the Codex-Calendar of , the Colosseum could accommodate 87, people, although modern estimates put the figure at around 50, They were seated in a tiered arrangement that reflected the rigidly stratified nature of Roman society.
Special boxes were provided at the north and south ends respectively for the Emperor and the Vestal Virgins , providing the best views of the arena.
Flanking them at the same level was a broad platform or podium for the senatorial class, who were allowed to bring their own chairs.
The names of some 5th century senators can still be seen carved into the stonework, presumably reserving areas for their use.
The tier above the senators, known as the maenianum primum , was occupied by the non-senatorial noble class or knights equites.
The next level up, the maenianum secundum , was originally reserved for ordinary Roman citizens plebeians and was divided into two sections.
The lower part the immum was for wealthy citizens, while the upper part the summum was for poor citizens. Specific sectors were provided for other social groups: Stone and later marble seating was provided for the citizens and nobles, who presumably would have brought their own cushions with them.
Inscriptions identified the areas reserved for specific groups. Another level, the maenianum secundum in legneis , was added at the very top of the building during the reign of Domitian.
This comprised a gallery for the common poor, slaves and women. It would have been either standing room only, or would have had very steep wooden benches.
Some groups were banned altogether from the Colosseum, notably gravediggers, actors and former gladiators. Each tier was divided into sections maeniana by curved passages and low walls praecinctiones or baltei , and were subdivided into cunei , or wedges, by the steps and aisles from the vomitoria.
Each row gradus of seats was numbered, permitting each individual seat to be exactly designated by its gradus, cuneus, and number.
The hypogeum was not part of the original construction but was ordered to be built by Emperor Domitian. Little now remains of the original arena floor, but the hypogeum is still clearly visible.
It consisted of a two-level subterranean network of tunnels and cages beneath the arena where gladiators and animals were held before contests began.
Eighty vertical shafts provided instant access to the arena for caged animals and scenery pieces concealed underneath; larger hinged platforms, called hegmata , provided access for elephants and the like.
It was restructured on numerous occasions; at least twelve different phases of construction can be seen.
The hypogeum was connected by underground tunnels to a number of points outside the Colosseum. Separate tunnels were provided for the Emperor and the Vestal Virgins to permit them to enter and exit the Colosseum without needing to pass through the crowds.
Substantial quantities of machinery also existed in the hypogeum. Elevators and pulleys raised and lowered scenery and props, as well as lifting caged animals to the surface for release.
There is evidence for the existence of major hydraulic mechanisms  and according to ancient accounts, it was possible to flood the arena rapidly, presumably via a connection to a nearby aqueduct.
The Colosseum and its activities supported a substantial industry in the area. In addition to the amphitheatre itself, many other buildings nearby were linked to the games.
Immediately to the east is the remains of the Ludus Magnus , a training school for gladiators. This was connected to the Colosseum by an underground passage, to allow easy access for the gladiators.
The Ludus Magnus had its own miniature training arena, which was itself a popular attraction for Roman spectators. Other training schools were in the same area, including the Ludus Matutinus Morning School , where fighters of animals were trained, plus the Dacian and Gallic Schools.
Also nearby were the Armamentarium , comprising an armory to store weapons; the Summum Choragium , where machinery was stored; the Sanitarium , which had facilities to treat wounded gladiators; and the Spoliarium , where bodies of dead gladiators were stripped of their armor and disposed of.
Various explanations have been advanced for their presence; they may have been a religious boundary, or an outer boundary for ticket checks, or an anchor for the velarium or awning.
Right next to the Colosseum is also the Arch of Constantine. The Colosseum was used to host gladiatorial shows as well as a variety of other events.
The shows, called munera , were always given by private individuals rather than the state. They had a strong religious element but were also demonstrations of power and family prestige, and were immensely popular with the population.
Another popular type of show was the animal hunt, or venatio. This utilized a great variety of wild beasts, mainly imported from Africa and the Middle East, and included creatures such as rhinoceros , hippopotamuses , elephants , giraffes , aurochs , wisents , Barbary lions , panthers , leopards , bears , Caspian tigers , crocodiles and ostriches.
Battles and hunts were often staged amid elaborate sets with movable trees and buildings. Such events were occasionally on a huge scale; Trajan is said to have celebrated his victories in Dacia in with contests involving 11, animals and 10, gladiators over the course of days.
During lunch intervals, executions ad bestias would be staged. Those condemned to death would be sent into the arena, naked and unarmed, to face the beasts of death which would literally tear them to pieces.
Other performances would also take place by acrobats and magicians, typically during the intervals. During the early days of the Colosseum, ancient writers recorded that the building was used for naumachiae more properly known as navalia proelia or simulated sea battles.
Accounts of the inaugural games held by Titus in AD 80 describe it being filled with water for a display of specially trained swimming horses and bulls.
There is also an account of a re-enactment of a famous sea battle between the Corcyrean Corfiot Greeks and the Corinthians.
This has been the subject of some debate among historians; although providing the water would not have been a problem, it is unclear how the arena could have been waterproofed, nor would there have been enough space in the arena for the warships to move around.
It has been suggested that the reports either have the location wrong, or that the Colosseum originally featured a wide floodable channel down its central axis which would later have been replaced by the hypogeum.
Sylvae or recreations of natural scenes were also held in the arena. Such scenes might be used simply to display a natural environment for the urban population, or could otherwise be used as the backdrop for hunts or dramas depicting episodes from mythology.
They were also occasionally used for executions in which the hero of the story — played by a condemned person — was killed in one of various gruesome but mythologically authentic ways, such as being mauled by beasts or burned to death.
The Colosseum today is now a major tourist attraction in Rome with thousands of tourists each year entering to view the interior arena.
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